small front coverNovember 2015

Volume 30 No.3

EDITORIAL ‘Regionalism’ By UK Editor Daniel Nanavati

THE ENGLISHNESS OF ENGLISH ART

Derek Guthrie, publisher, on ’40 Years of the Camberwell School of Art 1945-1985′, an exhibition in the Belgrade Gallery, St Ives.

THE ART OF IDENTITY

John Steppling, playwright, cultural commentator and writer on the class system in the art world.

THE FAILURES OF CURATING

Richard Sharland, gallery owner and ecologist, reviews recent show at the Royal Academy in London.

CAN PAEDOPHILIA BE ART?

Daniel Nanavati introduces the first of a series of articles surrounding the recent case of Graham Ovenden. Metropolitan Police seek to destroy the works concerned.

SPEAKEASY: Carinthia West, photographer and friend to the famous, looks at her move to live in Cornwall.

Book Review: The Improbability of Love by Hannah Rothschild reviewed by Dr Angeline Morrisson.

Short reviews by Daniel Nanavati and Janet Koplos.

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5 comments

  • We at the New Art Examiner owe a great deal of thanks to Tom Zurfluh for his generous support of several initiatives
    in the past few months, such as establishment of a bank account in Chicago to handle subscriptions and donations. His encouragement has been invaluable.

  • Today, the Sunday Chicago Tribune wrote about architect Jeanne Gang and her plan for a new kind of police station on the West Side. It gave me great satisfaction to know that readers of the New Art Examiner got the word about her project two weeks ago in the magazine’s new November issue. Hope you check out the story about
    Chicago’s Architecture Biennial, on now through January 3, 2016.

  • The Guardian has written that we may be seeing a downturn in the art markets. None too soon, I say.
    The billionaires in Latin America and Russia are feeling the effects of declining economies in those countries.
    And even some Middle East sheiks are seeing their petrol profits take a tank. NAE will enjoy reporting on these
    developments in 2016.

  • I came across this quote by our publisher, Derek Guthrie, that he made in 1988: “I believe that criticism–open discussion–is
    an essential ingredient in the flowering of a cultural community.” Wish words then and still. The revived New Art Examiner is
    dedicated to furthering that goal in this age of debased discussion and false values.

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