New Art Examiner Without Fear or Favor
Pendery Weekes, Publisher
managingeditor@newartexaminer.net
Derek Guthrie, Founding Publisher (with Jane Addams Allen)
Annie Markovich, Assistant to Derek Guthrie
Margaret Lanterman, Chicago Editor
Al Jirikowic, Washington Editor
washingtondc@newartexaminer.net
Scott Turri, Pittsburgh Editor
Miklos Legrady, Toronto Editor
toronto@newartexaminer.net
Liviana Martin, Milan Editor
Daniel Nanavati, European Editor
ukeditor@newartexaminer.net
Contributing Editors:
Donald Kuspit, New York
Darren Jones, New York
John Steppling, Norway
George Care, UK
Frank Corrigan, Oxfordshire
Cartoons:
Pablo Helguera
Kat Johnson
John Dunbar Kilburn
Jonathon Xavier Coudrille
Steve Harmann
UK Distributor: Central Books
Would you like to write for the New Art Examiner? Send your ideas to
contributor@newartexaminer.net
The New Art Examiner is indexed in : Art Bibliographies Modern, Art Full Text &Art Index Retrospective and Zetoc
Inquiries:
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All letters to the editor are printed without editing at: letters
Dear Derek Guthrie,
I am doing some research on my father John Gibson’s earliest gallery location, 1534 North Wells, in 1961-1962. I don’t know where to find possible reviews or listings from that era. Was anyone reviewing exhibitions then? What galleries were in Chicago at the time? Was there even a gallery district?
I haven’t read the article how the super-rich stole the art world. What would happen if artists had a strike? Creativity is not for sale.
Artists will never strike; there are other actions that could be taken. It’s the same problem as herding cats. Action needs to reform resale royalties; while musicians earn income when their music is replayed, artists naturally work for free and hope money may come along. Also, artists are passive in our society. The fire is dampened, in spite of revolutionary rhetoric that springs up from time to time.
CANCEL MY SUBSCRIPTION ORDER
Of course will, may we know why?
I changed my mind
Please confrm y subscription is cancelled.
at time of writing we have received no subscription payment or request from you.
This thread reads like Shakespeare… or The Twilight Zone.
Ms. Rosen,
Me thinks you don’t know what you’re missing. These guys must do something right with 500,000 readers. Maybe you need to go back to elementary school and re-learn the basics, like “y subscription”?
Do you cover art exhibitions in the American Northwest?
We are delighted to be pitched ideas for reviews from anywhere in the world. If you would like to discuss your ideas please write to managingeditor@newartexaminer.net. We look forward to hearing from you
I just looked through your website. And read numerous articles. Has the writing, editing and copy editing always been this terrible? This isnt even high school level quality . . .
We are a volunteer organisation and we do our best. we hope to get much better.
As an English teacher Don, may I make note of your error of “isnt”? It should be: isn’t.
Best regards,
Mabel Skinner
I, too, would like to purchase the printed copy of the Jan/Feb 2018 issue. How can I do this? I am in Sweden. Thank you very much.
If you just wish for one issue please email ukeditor@newartexaminer.net. If you wish to subscribe please use the subscribe tab above, and receive an entire volume of great reading.
I would like to purchase the Jan/Feb 2018 issue. Would you tell me how to do this, please?
Thank you
Hello Linda are you in the USA, UK or elsewhere? Would you like a printed copy or an email version?
I wanted to inquire on the ad spaces and digital banners on the website. thank you
Thank you Derek Guthrie for your editorial reminding us ever of yankee myopism in the Chicago artworld. Wasn’t it the “British music invasion” we rightly needed to point the artistic value of U.S. rhythm and blues. US and GB has a long history of validating the points as well as errs in our respective societies. I want to see more of it.
Stephen Markovich
Is there a published index, either online or in print, that covers all the back issues? I want to be able to search for articles on specific artists and topics, or by author’s name. Thanks for letting me know.
We are making inquiries and will let you know soon. We are indexed and in the UK the British Library carries many of the back issues. Is this an ongoing research project or do you have specific artists and topics in mind?