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Speakeasy

The cod often casts an eye on our behaviour with our propensity to take paths that lead to misery, both politically and aesthetically. So, in this instance, I feel that it’s my duty to let the cod speak directly.
“To put it bluntly, how is it that you haven’t sorted out the idea of your so-called postmodern period; that all started way back in the 1960’s. Also, there is this rather annoying element of the ‘enlightenment’ as a way of thinking, that pervaded the modern movement, that, as Baudelaire put it, ‘Modernity is to develop objective science, universal morality and autonomous art according to their inner logic’. That kind of thinking was in the 19th century, a move towards the emancipation and the enrichment of life. In art you called it progress through the meta-narrative. All that appears to have been ditched. You’re floundering in a mess of pastiche and kitsch in the arts in this present day.
It’s time you saw that time and space have altered through compression of both. Space and time in art have become something different to the modern idea. You humans have not risen to the challenge completely. If the modern was drawn to the idea of reason through the enlightenment, where did it leave the freedom of the artist? Globalization, too, has to question the idea of freedom of the artist. What is freedom? Is it possible? If I come back again to look at what you humans are doing to resolve these important issues and you have not countered them intelligently I will have to do some more thinking.”
I have to listen to my dear old friend or the seas will get even more turbulent. So, my next move, just in case Cod of Codswallop might break the silence, is to set up a collaboration connecting Codswallop with Falmouth University. This event is a performance of dancers, performance artists, a musician, two narrators and two surveillance cameras with projections, with drawings on the ground. The artists will examine postmodern ideas in relationship with the enlightenment and the state of the arts today. They will form a microcosm of the world as it is. Trapped as we are in a cash flow of corrupted economics, cultural mimicry and a circulatory set of ideas brought about by the stench of reason and commerce.
I don’t want to be here. The title of the performance signifies the desperation of the artist and their protest. I don’t want to be here trapped in networks of control where values have no meaning except in whirling systems of profit and loss, greed, and exploitation. But as the performance indicates, we fight. We fight ideas of cause and effect, we fight for chaos and imagination against reason. We fight the border guards and heed the voices of the narration as they voice the adventure of not knowing. Not knowing where action will take us, or what kind of reality we will create, is our condition. We explore the realities of culture today to arrive at the ‘Reality of the Trap’. We are sleepwalking into an abyss of our own making. What the Cod in Codswallop is saying is that artists have a duty and a responsibility to actively present the predicament not only of the cultural environment but also of our minds. The media slides like worms into innate values of human vitality. My material is in paint and performance, nevertheless I need to speak because I don’t want to be here. The trap as a real place, the border guards are real, the surveillance cameras are real. We fight in the name of art through art. Time and space is still the province of the artist. Today the compression of both point to confusion. The need is to challenge the idea of a single and objective sense of time and space against which we can measure the diversity of human conceptions and perceptions.

Ken Turner

Volume 32 no 6 July/August 2018 p 5

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Rob Tanaka

Nearly one year has passed since I first read this Speakeasy, but I have often had it in my mind as a very meaningful piece of writing on the state of the art world today. How “we can measure the diversity of human conceptions and perceptions” is what struck me most when I saw this building in Peru with a very artistic facade. It’s an example of Codswallop in action. The staircases of the building go only to the 4th floor, the rest of the building is left to the imagination of the viewers, with open windows visible from the… Read more »

Ken Turner

Yes Rob, it could be seen as a facade that hides the nothing of art as this building hides the nonsense of education in universities in England that shut down the arts and humanities, The facade build by celebrities, auction houses, collectors and dealers who protect their economic interest to the detriment of the arts and humanities, Indeed to life itself. Thank you for the sight of this building that signifies and symbolizes the state of the arts and education today not just in Lima, Peru but globally as well.