Tag Archives: Daniel Nanavati

Editorial

Vale Every so often, even in sadness, it is the pleasure of an editor to thank colleagues for all their hard work and their wisdom. In May this year we said farewell to John Link, a contributing editor and long time writer for the New Art Examiner. His quality of mind is rarely equalled and we are happy to reprint …

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Volume 35 no 5 May / June 2021

Features: Cleveland, ohio and the industrial artland Darren Jones Continues His Series On Art Scenes Across America State of Art Steven Litt’s Survey of the Ohio Art Scene Amanda D. King In Conversation With Darren Jones A hot take on ohio With Cleveland Newcomer Tizziana Baldenebro Cultural conflicts in the visual arts David Carrier The inward eye Colin Fell Writes …

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Editorial: Volume 35 no 5 May June 2021

I am planting an orchard. I have been ‘given’ a field by a friend and have 13 trees in it from last year and now he has seen it doing so well we have extended the planting to another 40 or so trees. They will be a mixture of old varieties of fruits interspersed with berry bushes and a few …

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Editorial – Volume 35 no 2 November- December 2019

Pendery Weekes, Derek Guthrie, Daniel Nanavati Finally, with the publication of our November/December issue we’ve nearly reached the end of 2020, an ill-fated and turbulent year. It’s been a year that has kept us riveted to the news with its constant updates and restrictions being imposed, lifted and re-imposed in countries all over the world. It has been challenging to …

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Ernest Griset

Daniel Nanavati In July 1877 several obituary notices were published about Ernest Griset. The Publishers Record stated: “Griset was very happy in illustrating the Darwinian change of an animal into a man, and of combining men and animals, something after the manner of Grandville. He was quite French in his manner, though he had lived in England from early boyhood. …

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Volume 35 no 1 September / October 2020

Features: 6 An American Child and the Victorian Radicals – James Cassell 9 Intimate Art – Daniel Nanavati 11 Utah can be the Art Scene of the West – Alexander Stanfield 13 In response to Darren Jones on the Whitney Biennial – Al Jirikowic 15 Chairs, Tables and Sex – Frances Oliver 16 Defund the Police, Refund the Arts – …

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Intimate Art

by Daniel Nanavati Let’s talk sex in the art world. Not the male predilection for the female body, from painting to having sex with models, but as a bona fide trade that defies our society’s efforts to create a meritocracy. I thought of this piece when reading Mary Fletcher’s Speakeasy, which appears in this issue, realising that she had not …

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Editorial Volume 34 no 4 March – April 2020

There are some paintings you look at and you wonder who the people were, you muse about the time and place, the fashion, the thinking of the characters and you inspect as far as you are able the skill of the artist. But you have to take another step in your mind to consider philosophical ideas. Then there are paintings …

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No art superstars from Israel

Given the chance to visit the Tel Aviv Museum of Art and to consider the work and place of contemporary Israeli artists, my mind was filled with expectation. Surely the people who had produced Camille Pisarro and Marc Chagall, rumours about Rembrandt’s Jewish ancestry, Mark Rothko, Amedeo Modigliani, Leon Golub, Naum Gabo, Lucian Freud, Sonia Delaunay and so many others, …

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Volume 34 no 3 January – February 2020

Articles: The Art of Extinction Rebellion: Josephine Gardiner from the UK Rebellion in Hong Kong Art: Leung Suk Ching I Left my Heart in Leipzig: Viktor Witkowski, USA If it Works, don’t Fix it: Frances OIiver, UK Fervid Art from the Edge: Jane Addams Allen, New York Scouting the Blogs: Miklos Legrady, Toronto Brzezanska ‘s Stories from Earth: Katie Zazenski, …

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Editorial: Volume 34 no 3 January – February 2020

Jeff Koons is not a name to toy with. When he was asked to create a memorial to the victims of terrorism in Paris one may assume the French authorities had lost their minds asking an aesthetic dedicated to Disneyfying the cities of America, to suddenly find the soulfulness of tragedy within humanity and make it tangible. Perhaps they mistook Koons …

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Editorial Volume 33 no 6 September – October 2019

One can fall in love with a magazine. With a passion for its attempt to trust its writers, edit lightly to allow for varied opinion, and its invaluable outlook inherited from the twentieth century pragmatic philosophers in Chicago. A time when America had philosophers everyone with an interest in American power and how it would be wielded, read and discussed. …

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All We Have Lost

“I think the nice thing about Biennale Arts, it happens every two years, it’s like a clock and I like the idea that it is a way of taking the pulse of what’s happening in art but also in the world.” Ralph Rugoff, Curator of ‘May You Live in Interesting Times’, the title of the 58th Venice Biennale in 2019 …

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Editorial

I was invited to a talk given by Rafael Lorenzo-Hemmer at the Hirshhorn Museum who are exhibiting three of his heart-beat installations. His talk, given at 7pm in the cinema-like auditorium, was an object lesson in complacency. Rafael has, as with other contemporary super-stars, a small full time industrial team of fifteen working on his ideas and when he said …

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