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Tag Archives: Frances Oliver

Comments on a Picture by Edvard Munch in Contemporary BBC English

So this incredibly sinister and incredibly powerful picture is a detail from Edvard Munch’s painting VAMPIRE. A woman is stood over a man whose head is laying on their breast. Their incredibly fiery red hair is spread all over the man in an over-exaggerated fashion. Not to over-interpret, but him is credibly peaceful and resigned as if waiting quietly on …

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The Hidden Struggle for America’s Soul

Gary Weiss, ‘Ayn Rand Nation’  Gary Weiss was inspired to write his book when he realised, after the crash, after the orgy of deregulation and greed that led to the crash, there was a ‘missing piece to the puzzle.’ ‘The philosophy of greed had a philosopher’ and that philosopher was Ayn Rand. Like many others, Weiss had dismissed Ayn Rand …

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Volume 33 no 4 March-April 2019

In this issue: Zero-Sum Culture: Jorge M Benitez The disease of Grade Inflation: Stephen Luecking Exhibit Heightens Gaugin Myth: Jane Addams Allen Ayn Rand – A Defence for the Indefensible: Frances Oliver Museum politics in Toronto:  Rae Johnson Frank Gehry at 90: Lili Lihting Your  letters. Editorial by Derek Guthrie Scouting the blogs with Miklos Legrady Recommended reading Bentonville: Daniel …

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Ayn Rand, A Defence for the Indefensible

Left behind by the previous owners of my parents’ Vermont summer home was a number of books. They weren’t my parents’ kind of reading, nor mine, but one fat book intrigued me (I was thirteen, the age when in pre-Laddt-Chatterly-trial days you looked for the rare sec bits in adult fiction.) I found some and in the end I read …

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The Market Rules but it’s not Okay

In our high tech and cyberspace age a few old metaphors remain, from the time when work was mostly physical; metaphors still current in my childhood but now rare. You might still put a shoulder to the wheel, a nose to the grindstone, or die in harness. You might also be told there are lots of fish in the sea …

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Film Review: The Square

I went to see Robert Östlund’s film THE SQUARE expecting a satirical gibe at post-modernist art, and wondering what new it could offer. From half-cows in formaldehyde to unmade beds to the tools and carpenter’s horses blocking the stairs in a staid old Swiss museum (Why have the workmen left their things here, I wanted to know, and was told …

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