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Tag Archives: Jane Addams Allen

Volume 34 no 1 September – October 2019

In this issue: Features: Museum of Modern Women – Kathryn Zazenski from Warsaw Oh Chicago, my Chicago – Maggie Leininger on Comfort Station After the Art Fair Bubble Bursts – Phil Barcio on the Chicago Expo Artist Miklos Legrady on Art Education Belated Tribute to a Gifted Painter – Jane Addams Allen on French Impressionist Berthe Morisot Letters Editorial by …

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Belated Tribute to a Gifted Painter

SUMMARY: Long neglected, French Impressionist Berthe Morisot finally is getting recognition in a touring retrospective, now in Washington. The exhibition traces the painter’s development as an Impressionist and includes less successful experiments with the dissolution of form. An innate sadness permeates much of her work, which Is outstanding for its exploration of light, color and movement. Your life must be …

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Volume 33 no 6 July / August 2019

Ken Turner on New Ways Of Seeing, evaluating John Berger Daniel Nanavati on the 58th Venice Biennale Norbert Marszalek interviews Derek Guthrie Hybrid Sculpture, Disciplined Form by Jane Addams Allen Hockney in Washington – Annie Markovich and Derek Guthrie Cuban art today – Lily Lihting Li Kostrzewa Dodin in Venice – Victoria Howard Sokurov and Rembrandt in Venice – Lily …

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Hybrid Sculpture, Disciplined Form

SUMMARY: Nancy Graves has taken her sculpture past her initial success with camels. Her work features an uncanny ability to meld disparate materials decisively. She clearly has a superb eye and an inventive mind: Only an adherence to American modernism holds her back. Colorful, budding bronzes bloom in the sculpture garden of the Hirshhorn Museum in Washington. Sprouting fans and …

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Northern Italy’s Age of Luminosity

SUMMARY: An impressive exhibition presents the work of Italian artists who congregated in the Emilian town of Parma. “The Age of Correggio and the Carracci: Emilian Painting of the Sixteenth and Seventeenth Centuries1’ reveals technical virtuosity, exciting imagery and emotional intensity on busy canvases — a combination that can appeal to those fatigued by the austerity of modern art.   …

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Volume 33 no 4 March-April 2019

In this issue: Zero-Sum Culture: Jorge M Benitez The disease of Grade Inflation: Stephen Luecking Exhibit Heightens Gaugin Myth: Jane Addams Allen Ayn Rand – A Defence for the Indefensible: Frances Oliver Museum politics in Toronto:  Rae Johnson Frank Gehry at 90: Lili Lihting Your  letters. Editorial by Derek Guthrie Scouting the blogs with Miklos Legrady Recommended reading Bentonville: Daniel …

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Exhibit Heightens Gauguin Myth

SUMMARY: An exhibit at the National Gallery of Art was intended to dispel Paul Gauguin’s South Seas image but will probably romanticize it even more. The most complete Gauguin show in more than eight decades, ‘The Art of Paul Gauguin” is astonishing in its beauty and variety, embodying the power of desire and spiritual significance.   The Art of Paul …

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Ludwig Mies van der Rohe

SUMMARY: In this, the centenary of the birth of architect Ludwig Mies van der Rohe, the attacks continue on the modernist functionalism that he espoused and the glass-and-steel building designs that expressed his vision. Though times have changed, and along with them the needs of architecture, a current New York exhibition of his drawings offers the chance to see Mies …

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Volume 33 no 2 November / December 2018

Features: 6 Bearing witness, not weapons Jill Gibbon interviewed by Daniel Nanavati 11 glenstone penitentiary Nancy Schreiber 15 van gogh in arles Jane Addams Allen, 1986, the marketing of the Metropolitan 20. All consuming beauty Rosanna Hildyard on John Berger and Naomi Wolf 27 white supremacy, benevolent institutions and shinola Rebekah Modrak 35. Dressing for that final journey Pendery Weekes, …

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Van Gogh in Arles

The Metropolitan Museum of Art’s Van Gough in Arles show, which opened to the public in October 18 is both exhilarating and crushingly depressing. What unfolds at the Met is a tragedy of grand dimensions. There has seldom been this show which follows an artist development so intimately on the day to day basis nor one which reveals so clearly …

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