News

Grayson Perry: The Vanity of Small Differences

Mary Fletcher These six large tapestries show the Hogarthian progress of a male character on a ‘Class Journey’, using research the artist carried out when he developed his 2012 TV series All in the Best Possible Taste. There were more people in the gallery than I have ever seen there apart from pre-covid-19 opening parties. All were masked and spaced …

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Volume 35 no 2 November – December 2019

Features: Gentlemen prefer blondes who kick ass Scott Winfield Sublett The Julia Stoschek Collection Christian Hain in Berlin On behalf of the planet Patricia Wilson Smith in St Ives AdÚ Gill Fickling in Penzance BAIT Mary Fletcher in St Ives: A Real Joy Lynda Green in Penzance Ukeles and I kill Giants Mary Fletcher in St Ives The Maison wears …

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Editorial – Volume 35 no 2 November- December 2019

Pendery Weekes, Derek Guthrie, Daniel Nanavati Finally, with the publication of our November/December issue we’ve nearly reached the end of 2020, an ill-fated and turbulent year. It’s been a year that has kept us riveted to the news with its constant updates and restrictions being imposed, lifted and re-imposed in countries all over the world. It has been challenging to …

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Gentlemen Prefer Blondes Who Kick Ass

Scott Winfield Sublett Something happened the other day that made me realize yet again how quickly and completely cinema’s idea of the erotic has changed. A 30-ish science fiction writer of my acquaintance had just watched, on my recommendation because I felt he needed cheering up, Howard Hawks’ Gentlemen Prefer Blondes, in which Marilyn Monroe sings Diamonds Are a Girl’s …

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Jeremy Shaw Takes the Julia Stoschek Collection Back to the Future

Christian Hain It’s all very confusing indeed, and I don’t talk about that virus thing, no: even before that started, we were (mildly) shocked by Julia Stoschek’s decision to leave Berlin and take her collection to Düsseldorf, where she’s been operating another space for years. The ensuing media outcry was not limited to the German capital, as every other paper …

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On Behalf of the Planet

Patricia Wilson Smith On 12 September this year painter and performance artist Ken Turner took to the streets of St Ives in Cornwall to express his outrage and concern for the future of humanity and the planet. At a healthy advanced age, Ken’s crusading spirit is, if anything, stronger: his will to be heard more determined. In the past decade …

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BAIT

Mary Fletcher   Why does Mark Jenkin use black and white film which he develops himself? Is it because it looks old or suggests a shoestring budget or for aesthetic reasons? This is a film set in Newlyn, Cornwall – a fishing town where tourism has grown. The Cornish characters have authentic accents and are local people, not professional actors. …

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A Real Joy

Lynda Green   Take a break from the harsh realities of life as we now know it by treating yourself to two hours of pure escape in the form of the 2019 Italian film Pinocchio. Directed by Matteo Garrone, it is shot in beautiful Tuscany and stars Frederico Ielapi as the most endearing puppet you will ever come across and …

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Mierle Laderman Ukeles: ‘Maintenance/ Survival / and its Relation to Freedom’

Mary Fletcher Mierle Laderman Ukeles mentions names familiar from the avant garde of the 1960s – Pollock, Duchamp and Rothko – pointing out that that they didn’t change diapers and that when she had a baby daughter she was suddenly in a world of maintenance, involving both mind-bending boredom and the rediscovery of the world as her baby did. In …

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I Kill Giants

Mary Fletcher This film is about Barbara, a young secondary school attender, constructing an elaborate fantasy that helps her deal with an unbearable situation. We see people trying to help her and some girls being nasty to her in the general odious ways of school bullies. I would have liked to have seen the narrative without having absorbed the inevitable …

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The Maison Wears the Renaissance

Anita Di Rienzo Garments, from lingerie to overcoats, have always denoted the economic and social status of the wearer, no matter if the latter is tall or short, thin or fat, elegant or lacking in bearing because every dress is a message and every colour a choice. Spokeswoman for this modern truth is Amanda Presley, played by a stunning Meryl …

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So Long As We Still Live – The 9th Young Triennale at Orońsko

Katie Zazenski On a gigantic, anthropomorphized sun-like circle, made of peach satin and suspended on the back wall of the exhibition hall, is the declaration Wierzę w Bezinteresowność Sztuki (I believe in the selflessness of art). Shirts and pants arranged in the form of two angel-like figures are surrounded by hand-stitched text bubbles. Strongly reminiscent of the American radical theater …

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