Neil Goodman Twists and Turns

Carl Hammer Gallery

Neil Goodman’s new work reinforces his status as one of Chicago’s premier sculptors. Each comprises a single bronze shape repeated a number of times under strict rules of symmetry. His shapes for the most part suggest elongated tools, linear with blades at one end similar to an axe or a spade. Each recalls the elegance of late Bronze Age weaponry such as that of Cycladic cultures, and, at the same time, its ritual figurines.
The vertical turning of the bronze units, as one connects to the next, elicit the figural and rituals reading. Under this transformation the shapes’ spatulate ends shift from primitive suggestions of heads to that of feet. The formality of their symmetry imparts a sense of ritual.
The artist’s refined shapes pair well with their spatial

deployment, evoking a sense of space as imbued with a pervading order of which his sculptures partake. The sculptures embrace their portion of that space and engage it in a stately dance. In two sculptures, Twist and Bird on a Wire, Goodman has torqued the blades to enhance that dance. This twist softens the blades, rendering them more organic like petals or leaves.
Happily these “petals” do not come off as decoration and, for the most part, Goodman’s sculptures evade reduction into ornament. Target and Beak are arguable exceptions. The more graphic caps on these sculptures stoppered, for this reviewer, the extension of mind into space and time afforded by the show at large.

Steve Luecking

Steve Luecking is our Chicago Editor

Volume 32 no 3 Jan/Feb 2018 p 32

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Pendery Weekes
21/02/2018 2:56 am

We just received news about Neil Goodman’s next exhibition in the fall at the Museum of Outdoor Arts in Denver. It will be a large scale survey of indoor and outdoor work. Sounds exciting!

Paul Berber
22/02/2018 2:24 am
Reply to  Pendery Weekes

Many thanks for the update on Goodman’s next exihbition.

Hazel Campbell
13/02/2018 1:11 pm

Even after listening to Leonard Cohen’s “Bird on a Wire” so that I could relate to his piece, I just can’t get what’s going on. Sorry Neil Goodman, maybe better next time.

Steve Bradshaw
18/02/2018 5:12 am
Reply to  Hazel Campbell

Hi Hazel,
I think you missed the point.
When you look at “Twist” ( see if you can relate to the figures, at least for me they appear as figures, elegantly connected.

Paul Berber
11/02/2018 1:44 am

Could you please tell me when and where is Neil Goodman’s next exhibition?

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