The cod often casts an eye on our behaviour with our propensity to take paths that lead to misery, both politically and aesthetically. So, in this instance, I feel that it’s my duty to let the cod speak directly.
“To put it bluntly, how is it that you haven’t sorted out the idea of your so-called postmodern period; that all started way back in the 1960’s. Also, there is this rather annoying element of the ‘enlightenment’ as a way of thinking, that pervaded the modern movement, that, as Baudelaire put it, ‘Modernity is to develop objective science, universal morality and autonomous art according to their inner logic’. That kind of thinking was in the 19th century, a move towards the emancipation and the enrichment of life. In art you called it progress through the meta-narrative. All that appears to have been ditched. You’re floundering in a mess of pastiche and kitsch in the arts in this present day.
It’s time you saw that time and space have altered through compression of both. Space and time in art have become something different to the modern idea. You humans have not risen to the challenge completely. If the modern was drawn to the idea of reason through the enlightenment, where did it leave the freedom of the artist? Globalization, too, has to question the idea of freedom of the artist. What is freedom? Is it possible? If I come back again to look at what you humans are doing to resolve these important issues and you have not countered them intelligently I will have to do some more thinking.”
I have to listen to my dear old friend or the seas will get even more turbulent. So, my next move, just in case Cod of Codswallop might break the silence, is to set up a collaboration connecting Codswallop with Falmouth University. This event is a performance of dancers, performance artists, a musician, two narrators and two surveillance cameras with projections, with drawings on the ground. The artists will examine postmodern ideas in relationship with the enlightenment and the state of the arts today. They will form a microcosm of the world as it is. Trapped as we are in a cash flow of corrupted economics, cultural mimicry and a circulatory set of ideas brought about by the stench of reason and commerce.
I don’t want to be here. The title of the performance signifies the desperation of the artist and their protest. I don’t want to be here trapped in networks of control where values have no meaning except in whirling systems of profit and loss, greed, and exploitation. But as the performance indicates, we fight. We fight ideas of cause and effect, we fight for chaos and imagination against reason. We fight the border guards and heed the voices of the narration as they voice the adventure of not knowing. Not knowing where action will take us, or what kind of reality we will create, is our condition. We explore the realities of culture today to arrive at the ‘Reality of the Trap’. We are sleepwalking into an abyss of our own making. What the Cod in Codswallop is saying is that artists have a duty and a responsibility to actively present the predicament not only of the cultural environment but also of our minds. The media slides like worms into innate values of human vitality. My material is in paint and performance, nevertheless I need to speak because I don’t want to be here. The trap as a real place, the border guards are real, the surveillance cameras are real. We fight in the name of art through art. Time and space is still the province of the artist. Today the compression of both point to confusion. The need is to challenge the idea of a single and objective sense of time and space against which we can measure the diversity of human conceptions and perceptions.

Ken Turner

Volume 32 no 6 July/August 2018 p 5

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Rob Tanaka
09/06/2019 11:25 am

Nearly one year has passed since I first read this Speakeasy, but I have often had it in my mind as a very meaningful piece of writing on the state of the art world today. How “we can measure the diversity of human conceptions and perceptions” is what struck me most when I saw this building in Peru with a very artistic facade. It’s an example of Codswallop in action. The staircases of the building go only to the 4th floor, the rest of the building is left to the imagination of the viewers, with open windows visible from the… Read more »

Ken Turner
10/06/2019 6:07 am
Reply to  Rob Tanaka

Yes Rob, it could be seen as a facade that hides the nothing of art as this building hides the nonsense of education in universities in England that shut down the arts and humanities, The facade build by celebrities, auction houses, collectors and dealers who protect their economic interest to the detriment of the arts and humanities, Indeed to life itself. Thank you for the sight of this building that signifies and symbolizes the state of the arts and education today not just in Lima, Peru but globally as well.

Pierre Totnes
17/02/2019 1:48 am

Hi Ken, Have you seen what Nan Goldin is doing with her protest of the Sackler funding at the National Portrait Gallery in London? She is rightly protesting the “networks of control where values have no meaning except in whirling systems of profit and loss, greed, and exploitation.” It’s time we stood up to these institutions, though I think the gallery will probably find a way to unload her and take the £1m, even if it is dirty money earned off the profits of OxyContin. Besides, her boycott will only give them more press coverage than perhaps her exhibition would… Read more »

Kenneth Davies
06/02/2019 10:40 am

We need to step back a moment and look at the work that this man has done and is still doing today! Why is the clamour so silent? What are people afraid of? Afraid that they will be awakened to take action and to all start Codswalloping or Banksying their work? It is high time we open our doors and minds to change; there is no place for fear or inaction.

Derek Guthrie
07/02/2019 8:32 am
Reply to  Kenneth Davies

The Art World is in a straitjacket. Locked in with no courage and limited vision, suffering from identity crisis and much ego. Check out http://www.newartexaminer.net. We try. Fear is in place.

Abe Newton
06/02/2019 2:06 am

Hi Ken,
Though I find this article very challenging in more ways than one, I would very much like to read more writings by you. Where can I find them?
Thank you and best wishes,

Alex Noutie
06/01/2019 2:10 am

Hi Ken,
Why the choice of the codfish as your symbol? Does the cod have some sort of special power for you like the Kwakiutl First Nations Indians believed? For them the lunar eclipse was “caused by a codfish trying to swallow the moon” and they would make “a large bonfire and add green boughs to produce dense smoke, which causes the codfish to cough and spit out the moon.” (from Jim Oooooo’s book, What I Did on My Summer Vacation Or North to Alaska: An Inside Passage Cruise, p. 102).

Cod Lady
01/01/2019 1:22 am

Happy New Year to Ken Turner and the Codswallop Movement from the Cod Ladies! We look forward to your performance in Falmouth in the spring. Is there a date so that we can make our plane reservations?

dott. Giovanni de Santis
01/01/2019 2:24 am
Reply to  Cod Lady

May I ask dear Cod Ladies who you all are and what your role is in the Codswallop Movement?
I, too, would be interested in knowing the date of the next performance in Falmouth.

Cod Lady
01/01/2019 7:56 am

Hi Giovanni, We are a group of 11 female artists from various parts of the world, who are fed up with established art. One of us was in St Ives when Ken Turner had his famous Codswallop performance. Since then, thanks to an artist residency in Nice, we have united in support of this movement which for us means fighting the fake art world out there and the “institutions” that represent it. We would like to meet up in Falmouth at Ken’s next performance. I come from Queens in New York, but other Cod Ladies come from Bangor, Maine, Rio,… Read more »

Karen Danwell
01/01/2019 2:44 pm
Reply to  Cod Lady

You have all failed; just the fact that you are a group of 11 female artists says it all – hopeless, to say the least.

Cod Lady
01/01/2019 3:53 pm
Reply to  Karen Danwell

Hi Karen,
Does it really matter that we are male or female artists? Perhaps you would like to join us in our endeavor. Come to Falmouth (UK) for the next Codswallop performance so that we can meet and perhaps go forward with a strategy to combat what we are talking about. Let’s hope that Ken Turner gives us a date soon for his next Codswallop performance so that we can organize in time.

Faye Dobinson
04/01/2019 12:23 am
Reply to  Karen Danwell

Hi Karen, In part I agree with you, but we must also look at the fact that they have organized a small protest group at an international level that is fed up with the state of the arts today, increasing their impact because they are from various countries around the world. What I don’t like is that they distinguish themselves as a group of female artists vs. a group of male artists, when they should just be a group of artists. Women must stop setting themselves apart because it makes them lose some of their worthiness, especially when we still… Read more »

John Wu
24/12/2018 12:22 am

Hi Ken, You wrote, “Globalization, too, has to question the idea of freedom of the artist.” What is globalization in your opinion? Isn’t it just a phenomenon of the capitalistic world, which excludes many underdeveloped countries? I see it as a homogenization of our culture, our beliefs and our creativity, with the end result that today’s artists have little to say that is original, except what everyone else is saying in the art world or rather in the global village. However the less developed countries fare no better, as their artists try to copy what is going on in the… Read more »

Gina Milller
25/11/2018 2:17 am

A Brexit minimart exhibition has opened in London under the name of Costupper. It has on display tired flowers, a couple of oranges in an empty crate, butter labelled with “I Can’t Believe the Price of this Butter”, “Conman’s Mustard”, “Tomato Botchup” and other items parodying how the shops will be after Brexit. Unfortunately, this highly creative exhibition closed yesterday after only 2 days.

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Pendery Weekes
22/11/2018 12:34 pm

Having personally had the opportunity to visit Ken Turner’s studio just outside St Ives in Cornwall, I ask why his important work is not being covered and written about more, why it’s not being shown more around the world? Why is it not being discussed and examined? I found his work nothing short of exceptional, as it witnesses his philosophy and thinking done with paint. Hard to describe, I had a very moving experience with his display, or rather dance, that he created with his paintings. It was truly unique and worthy of a film so that others could perhaps… Read more »

Cod Lady
30/10/2018 2:29 pm

Knock, knock Mr Codswallop, are you there? Are you perhaps sleeping and letting it pass you by? Cod Lady here would like to know what you think. Come on and roll up your sleeves; get involved and bring out the cod in you. I’ve been waiting for weeks for you to get involved, but sadly, no further comment here from you. Did Banksy shred your tongue?

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