Home » Tag Archives: Kathryn Zazenski

Tag Archives: Kathryn Zazenski

News Flash

We are pleased to announce that Josephine Gardiner has become the new Devon and Cornwall Editor.  10/02/2020 Important message from our writer in Hong Kong:  “Recently, I think you may heard that the Novel Coronavirus Infectious Disease is now seriously affecting Hong Kong. I had planned to visit some exhibitions and write a new review in January. However, the disease …

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Museum of Modern Women I completely agree with you Kathryn about “the complex and interconnected narrative of female experience”, which by far surpasses the superficial male experience. In that “these bodies are also full of desire, power, and humanity” is what our fundamental core message is here, something all women can well relate to. I find it amazing that 50 …

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Volume 34 no 1 September – October 2019

In this issue: Features: Museum of Modern Women – Kathryn Zazenski from Warsaw Oh Chicago, my Chicago – Maggie Leininger on Comfort Station After the Art Fair Bubble Bursts – Phil Barcio on the Chicago Expo Artist Miklos Legrady on Art Education Belated Tribute to a Gifted Painter – Jane Addams Allen on French Impressionist Berthe Morisot Letters Editorial by …

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Museum of Modern Women

PAINT, ALSO KNOWN AS BLOOD: WOMEN, AFFECT, AND DESIRE IN CONTEMPORARY PAINTING – Museum of Modern Art, Warsaw 7 June – 11 August, 2019 It’s the pleasures of painting. The poses of pleasures. The privilege of being looked at. The ploys of seduction. The light of the night. It’s nothing personal. It’s plain delight Aside from title cards, this poem …

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History According to Daad

Deep Sounding – History as Multiple Narratives is a group exhibition centered on the subjectivity and magnitude (or lack thereof) of historical narrative. In German, the word geschichte represents both ‘history’ and ‘story,’ the point on which the exhibition text is focused. There’s a push and pull here between works that are driven aesthetically and those that are driven narratively, …

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A Window on Our Souls

Materially and spatially transcendent, High Windows is an organism, a system, within which we are asked to confront evolutionary mechanisms of life, time, and function through the body—an anthropocenic arc of birth and decay. A post-war print house in a district dense with demolition and new construction is the site of Mateusz Choróbski’s first solo show with Galeria Wschod. The …

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